Something relatively new to me. I've tried this technique in glass fusing called pot melt. Bringing glass to liquid state at a temperature of 1700 degrees to have it ooze onto a clay pot beneath it. As it moves from one to the other it creates it's own pattern. They're like fingerprints, no two alike. I have created a grid of brass wire to stack my glass on and ultimately have it fall through....didn't work! Seems the brass weakens and falls into the glass. My bud smokeylady54 on etsy, a fellow glass worker and super swell person, suggested her lampwork mandrels as a base for the grid. That worked, here's my pot melt, now, what to do with it, how to cut it, grind it, make it into a finished piece is the question.
Hi! glad you stopped to visit!I'll be keeping track of new endeavors here, successful or not, and keeping notes on them. I enjoy the support of fellow glass artists at www.cgge.org . I have a website at www.lnglassworks.com along with a store on etsy- www.papernclay.etsy.com , please stop by and browse. I am always adding new things and I'd be happy to do custom work if you think you might like something special.
Saturday, April 12, 2008
my pot melt
Something relatively new to me. I've tried this technique in glass fusing called pot melt. Bringing glass to liquid state at a temperature of 1700 degrees to have it ooze onto a clay pot beneath it. As it moves from one to the other it creates it's own pattern. They're like fingerprints, no two alike. I have created a grid of brass wire to stack my glass on and ultimately have it fall through....didn't work! Seems the brass weakens and falls into the glass. My bud smokeylady54 on etsy, a fellow glass worker and super swell person, suggested her lampwork mandrels as a base for the grid. That worked, here's my pot melt, now, what to do with it, how to cut it, grind it, make it into a finished piece is the question.
Very cool pot melt. I bought a piece of stainless steal screening to try the same thing. Resting it right on the saucer edge is a good idea.
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